The Tragedy of Hamlet, Prince of Denmark

How can the play be seen as a critique of organized religion? That is, how does religion function in the play to keep a character or characters from realizing and resisting social or psychological oppression?

The Tragedy of Hamlet, Prince of Denmark
How do the operations of repression structure or inform the work? That is, what unconscious motives are operating in Hamlet; what core issues are thereby illustrated, and how do they inform or structure the play? (Remember, the unconscious consists of repressed wounds, fears, unresolved conflicts, and guilty desires).

The Tragedy of Hamlet, Prince of Denmark
How can a character’s behavior and verbal communication be explained in terms of psychoanalytic concepts of any kind (for example, regression, crisis, fear of or fascination with death, sexuality (which includes love and romance as well as sexual behavior) as a primary indicator of psychological identity?

The Tragedy of Hamlet, Prince of Denmark
What does the play reveal about the operations ( politically, socially, and psychologically ) of patriarchy? How are women portrayed and how do these portrayals relate to gender issues during the Elizabethan period? Does the work reinforce or undermine patriarchal ideology?

The Tragedy of Hamlet, Prince of Denmark
How has the play’s reception by literary critics and the viewing/reading public—from point of origin to to present day—been shaped by and shaped the culture in which the reception occurred?

The Tragedy of Hamlet, Prince of Denmark
7What ideology does the play seem to promote (what is its main theme) and how does conflicting evidence in the text show the limitations of that ideology?

The Tragedy of Hamlet, Prince of Denmark
In what ways can Hamlet be considered a Machiavellian character?

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